Written by Lena Keilhofer

In architecture, the site is far more than just a plot of land, it is the foundation upon which all great design is built. Alongside budget, timeframe, scope and procurement method, the site is one of the most critical elements to consider when beginning any project. It influences everything from material choice and spatial layout to orientation and environmental performance. 

The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Woman stands at the corner of a balcony, behind a glass balustrade in front of residential home with concrete floors and glass windows and doors.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

Working with the site means analysing not only the regulatory and environmental constraints but also embracing the opportunities that come from a thoughtful response to topography, context, and climate. According to architect Sarah Waller from Sarah Waller Architecture:

"We don't see site constraints as limitations. We see them as challenges that can be turned into something unique."

This philosophy was at the heart of a recently completed residential project in Indooroopilly, Brisbane, known as the River House, where heritage overlays, steep terrain, and stunning river views converged to create a uniquely site-driven design. 

The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Aerial view of large river, with dense foliage on river banks, and a black metal roof of a residential home to the left.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

1.Understanding Site: The First Step in the Process 

Every project begins with a thorough site analysis. This includes interpreting planning requirements, such as setbacks, height limits, and council overlays, as well as obtaining detailed technical documentation like geotechnical and contour surveys. These reports help inform structural feasibility, drainage, access points, and the overall design potential of the land. But for design-led practices, site analysis goes well beyond checking boxes. 

“Working with site means seeing beyond the data. It’s about interpreting the story of the land and transforming it into a home that truly belongs there.” - Sarah Waller

By considering both physical and regulatory constraints from the start, architects can avoid costly rework and instead discover opportunities for innovative and integrated design. 

The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Light pool lap pool in centre courtyard of home, with black-framed windows and doors connecting outdoors to the inside of the house.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

2.Orientation and Climate: Letting Nature Lead

In Queensland’s subtropical climate, understanding sun path and prevailing breezes is essential. Proper orientation can improve thermal comfort, reduce energy use, and enhance everyday living.

Designs that take full advantage of the site typically orient living areas to the north or north-east to maximise natural light, particularly in the morning hours, while offering protection from harsh western sun. This approach also considers the local climate's breezes and weather patterns to improve passive cooling.

“Sustainable design begins with understanding the climate. It’s not about gadgets or add-ons, it’s about getting the fundamentals right.” - Sarah Waller
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Rear patio of home with lap pool, concrete flooring, and glass windows opening onto interior living area.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

3.Case Study: The River House, Indooroopilly

Set on a rare battle-axe block in Indooroopilly, Brisbane, the River Project presented a unique combination of site-specific challenges: a heritage overlay, steep terrain, and a commanding view over the Brisbane River.

Rather than viewing these constraints as hindrances, the design team embraced them. The heritage overlay dictated a sensitive response to the character of the neighbourhood, an area dominated by traditional Queenslander-style homes with pitched roofs, timber detailing, and a strong connection to the streetscape.

The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Aerial image of residential home supported over sloped site, with flat black roof and balcony wrapping around the rear of the home.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

4.Heritage from the Street, Modern at the Rear

The solution was to create a transition between old and new. At the street frontage, a pitched-roof garage clad in white battens pays homage to the neighbourhood’s architectural language. This structure serves as a respectful entry point, seamlessly blending with surrounding homes and addressing council requirements. Behind the garage, the home transforms into a series of dark-toned, modern pavilions, positioned out of sight from the street and facing toward the river.

“We didn’t want to overpower the neighbourhood with a modern façade. Instead, we worked with the battle-axe condition to tuck the modern home away, behind a more familiar frontage. This design allowed us to create a moment of transition, from the heritage character of the entry to the sleek sophistication of the home beyond.” - Sarah Waller
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Facade of residential home with timber clad garage in white, with stairs to front door on the left.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

5.Celebrating Sunset Views: Designing with Transparency

One of the site’s most striking features is its outlook, offering expansive views over the Brisbane River and toward the Hinterland. The design capitalised on this by aligning the pavilions to frame views through the site.

Full-height glazing allows for visual connections between indoor and outdoor spaces and across the various wings of the house. The result is a home that feels deeply connected to its environment, with framed sunset views becoming a daily feature.

“The view was too good not to celebrate. So we designed the house to act as an art frame, where the art piece constantly changes during the day.” - Sarah Waller
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Kitchen with black cabinetry, grey stone island bench, black stools and dining set.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Pool in front of outdoor patio, with black-framed glass windows and doors in the background.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. High angle shot of angled balcony with poured concrete floors, glass balustrade and flat, black tin roof.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

6.Working with the Slope: A Cantilevered Solution

The client’s brief called for a single-level home, an ambitious goal on a sloped site. Rather than cut and fill extensively, the design introduced a cantilevered living pavilion supported by raked columns and hovering over a retaining wall. This approach respected the natural topography and minimised disturbance to the land while still delivering the functional outcome desired by the client.

“We aimed to be as site-sensitive as possible. Floating the pavilion allowed us to preserve the slope while giving our clients the single-level living they dreamed of.” - Sarah Waller
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. House suspended over a cliffside with long balcony, glass balustrade and black, flat roof.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

7.Anchoring the Design in the Landscape

Landscaping played a vital role in tying the design back to its context. Mature trees were preserved where possible, and additional planting helped integrate the home into its environment from day one. The decision to include mature landscaping elements created a sense of immediacy, of belonging, often missing in new builds. The result is a home that feels cohesive with its setting, an essential principle in any site-led architectural approach.

“Landscaping is the final brushstroke. It completes the architecture and helps the home settle into place.” - Sarah Waller
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Outdoor patio with concrete flooring running parallel to above-ground pool.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.

8.Working with Site Brings Lasting Value

While designing with site may introduce challenges, it almost always adds richness to the architectural outcome. It ensures buildings sit comfortably within their environment and can enhance liveability, sustainability, and visual appeal.

“Every site has a voice. It’s our job to hear it, and respond with something that feels like it could exist nowhere else.” - Sarah Waller

The River Project demonstrates how a strong design response to site, respecting heritage, embracing views, and working with the land, can result in a home that not only meets its brief but also tells the story of its place. This way of working is not only respectful but rewarding, turning constraints into creativity and delivering architecture that truly belongs.

If you would like to learn more about Sarah Waller Architecture, you can visit their CO-architecture business profile, where you’ll find detailed information on their studio, design philosophy, latest projects like Blackwood and contact details.

PROJECT DETAILS

Architecture: Sarah Waller Architecture
Builder: MCD Construction
Photographer: Alyne Media
Engineer: Westera Partners

The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Balcony with concrete flooring overlooking river below.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Balcony with concrete flooring overlooking river below.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media. Balcony with concrete flooring overlooking river below.
The River House, Indooroopilly by Sarah Waller Architecture. Photography by Alyne Media.